هجع
also written Hacha · Haja · Hajaa
Tap play, dial in a tempo, and let it cycle until your hands know it.
D – T T T – T T
Haja' is a tak-driven 4/4 iqa' from Levantine practice. It carries a single dum at the top of the cycle and fills almost everything after it with taks arranged in pairs, which gives the rhythm a hurried, chattering surface over a stable four-beat frame.
Because so much of the pattern sits in the high voice, the one dum has to be clearly weighted or the cycle loses its anchor. Players tend to keep the dum firm and play the tak pairs very lightly, so the ear can still find beat one inside the density.
The cycle repeats its internal cell twice within the bar, which makes it straightforward to memorise but demanding to keep even at speed — an intermediate rhythm mainly for reasons of hand control rather than structure.
Where you'll hear it: Levantine dance repertoire
One low stroke per bar followed by rapid paired taks. If the rhythm sounds busy and high-pitched with a single low anchor, it is Haja'.
Say the cycle out loud before playing it. The count line below aligns with each written step, so every dum, tak and rest has a place in the bar.
Haja' is a 4/4 Levantine iqa' with one dum at the start of the cycle and the remainder filled with paired taks.
The structure is simple, but keeping the rapid tak pairs even at tempo makes it an intermediate rhythm.